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Koyoltzintli is an interdisciplinary artist and educator living in Ulster County, New
York. She was raised on the Pacific coast and in the Andean mountains of Ecuador.
Her work revolves around sound, ancestral technologies, ritual, and storytelling,
blending collaborative processes with personal narratives. Nominated for the Prix
Pictet in 2019 and 2023, her work has been exhibited at the National Portrait Gallery
in Washington, DC, the United Nations, the Parrish Art Museum, Princeton
University, the Aperture Foundation in NYC, and Paris Photo. She has had two solo
shows at Miyako Yoshinaga Gallery and a solo show at Leila Greiche in 2023.
Koyoltzintli has taught at CalArts, SVA, ICP, and CUNY. She has received multiple
awards and fellowships, including at the Musée du Quai Branly in Paris, NYFA, We
Women, the Latinx Artist Fellowship by the US Latinx Art Forum (USLAF), and
most recently, the Anonymous Was a Woman award. Her first monograph, Other
Stories, was published in 2017 by Autograph ABP. Her work was featured in the
Native issue of Aperture Magazine (no. 240) and included in the book Latinx
Photography in the United States by Elizabeth Ferrer, former chief curator at BRIC.
She is part of Flow States – LA TRIENAL 2024, El Museo del Barrio’s second
large-scale survey of Latinx contemporary art.
Koyoltzintli has performed at venues such as the Whitney Museum, Wave Hill,
Socrates Park, Brooklyn Museum, and Queens Museum, Performance Space in NYC,
and Dia Chelsea.
Title: Five-Point Water Whistle
By: Koyoltzintli
Dimensions: 20" x 15" x 10" in.
Year: 2025
Description:
This sculptural instrument is a hydraulic sound object, brought to life through the movement of water. Composed of five whistles in one body, it expands upon the ancestral technology of early water whistles created by the Chorrera culture of coastal Ecuador, my ancestors.
While the ancient instruments responded to their environment, this contemporary reimagining asks: what sounds must exist in our present time?
Shaped in the form of a turtle, a being long associated with origins, protection, and the carrying of worlds, this piece contemplates a gesture toward new sonic futures, where water, breath, and ancestral memory converge.
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